In recent years, Netflix and Prime Video have begun showing ads to generate more revenue and encourage subscribers to purchase higher-priced tiers. But they haven’t made the ad-supported tiers free of cost. Free streaming sites that rely entirely on advertising also exist, and it isn’t unusual for them to host top-tier programming. For instance, one of the most-watched movies on Tubi right now happens to be arguably the greatest war movie ever made. The movie in question set the template for war movies to follow, and early reports suggest that even the upcoming Dune: Part Three features a set-piece inspired directly by it. Such was the impact of this movie that its box-office record as the highest-grossing World War 2 movie of all time remained unbeaten for nearly two decades. It was eventually overtaken by Christopher Nolan‘s Dunkirk in 2017.
The film in question was released in 1998. Essentially an anti-war parable in which a group of soldiers is sent to locate and rescue the last surviving brother of a family that lost other sons in the war, the movie grossed more than $480 million worldwide against a reported budget of $70 million. It was critically acclaimed, going on to receive 11 nominations at the Oscars, including in the Best Picture category. It won the prestigious Best Director honor for Steven Spielberg, who had previously won for another World War 2 movie, the 1993 epic Schindler’s List.
Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
🐦Birdman
🪙No Country for Old Men
01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
An Epic New World War 2 Series Is Around the Corner
We’re talking, of course, about Saving Private Ryan, which, according to FlixPatrol, was among the most-watched films on the domestic Tubi chart this week. The movie featured Tom Hanks and Matt Damon, alongside a sprawling ensemble cast including Edward Burns, Vin Diesel, Bryan Cranston, and Nathan Fillion. The movie now holds a “Certified Fresh” 94% critics’ score and a 95% audience score on the aggregator website Rotten Tomatoes, where the consensus reads, “Anchored by another winning performance from Tom Hanks, Steven Spielberg’s unflinchingly realistic war film virtually redefines the genre.” Saving Private Ryan inspired a trilogy of spiritually connected television shows set during World War 2, executive produced by Spielberg and Hanks. Each of the shows — Band of Brothers, The Pacific, and Masters of the Air — received positive reviews. Hanks’ fascination for this historical period continued with the Apple original movie Greyhound, which is set to get a sequel. He will serve as the narrator of an epic 20-episode documentary series titled World War II with Tom Hanks, which starts airing on The History Channel next month.
Saving Private Ryan is streaming now on Tubi. Stay tuned to Collider for more updates.
