2026 kicked off strongly for young adult book-to-screen adaptations with the release of Finding Her Edgeon Netflix earlier in January. Now, nearly five months into the year, fans are eagerly anticipating several more releases, with the most high-profile being The Hunger Games: Sunrise on the Reaping, which is slated to hit theaters this November. Another equally exciting title—arguably Netflix’s most anticipated YA adaptation of the year — is the final Heartstopper movie, which has now officially received a premiere date.
Titled Heartstopper Forever, the coming-of-age movie is a feature-length finale to the Netflix hit rather than a fourth season. Heartstopper Forever is directed by Wash Westmorelandand written by Alice Oseman, who created the near-perfect teen series, which premiered in 2022. The film is an adaptation of the sixth volume of Oseman’s Heartstopper graphic novel series, which follows Nick Nelson (Kit Connor) and Charlie Spring (Joe Locke), two teenagers whose friendship at Truham Grammar School develops into a romantic relationship.
Heartstopper last aired in October 2024, when all of its Season 3 episodes were released. Now, nearly two years later, fans will finally see Nick and Charlie’s love story come to a close—hopefully on a satisfying note. With that said, Heartstopper Forever is set to premiere on Netflix on July 17, 2026. Alongside the release date announcement, the streamer shared a short video compilation highlighting the cast’s journey throughout the seasons. Kit Connor and Joe Locke will reprise their roles as Nick and Charlie, while also serving as executive producers on the film. William Gao, Yasmin Finney, Corinna Brown, Kizzy Edgell, Tobie Donovan, Jenny Walser, RheaNorwood, and Leila Khan also star.
Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
🐦Birdman
🪙No Country for Old Men
01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
Will ‘Heartsopper’ End on a Satisfying Note?
Heartstopper Forever will pick up directly from the Season 3 finale, which saw the lead couple – like some of their friends – take the relationship to a new level. As teased in the film’s synopsis, Nick and Charlie are inseparable. Still, as Nick prepares to leave for university and Charlie finds new independence at school, the reality of a long-distance relationship begins to weigh on them. Doubts take hold, and their relationship faces its biggest challenge yet. Meanwhile, their friends are also navigating the ups and downs of love and friendship, confronting the bittersweet challenges of growing up and moving on. Can first loves really last forever?
The final Heartstopper entry arrives on Netflix this summer.
