LEGACY AWARD
- “I Love Lucy” — recipient
OUTSTANDING SUPPORTING ACTOR IN A LIMITED OR ANTHOLOGY SERIES OR MOVIE
- Richard Gadd, “Half Man”
- Jason Bateman, “DTF St. Louis”
- Richard Jenkins, “DTF St. Louis”
- David Harbour, “DTF St. Louis”
- Nick Offerman, “Death by Lightning”
- Charles Melton, “BEEF”
OUTSTANDING SUPPORTING ACTRESS IN A LIMITED OR ANTHOLOGY SERIES OR MOVIE
- Dakota Fanning, “All Her Fault”
- Linda Cardellini, “DTF St. Louis”
- Joy Sunday, “DTF St. Louis”
- Laurie Metcalf, “Monster: The Ed Gein Story”
- Constance Zimmer, “Love Story: John F. Kennedy Jr. & Carolyn Bessette”
- Youn Yuh-jung, “BEEF”
OUTSTANDING GUEST ACTOR IN A COMEDY SERIES
- Brett Goldstein, “Shrinking”
- Michael J. Fox, “Shrinking”
- Christopher McDonald, “Hacks”
- Hamish Linklater, “Widow’s Bay”
- Connor Storrie, “Saturday Night Live”
- Rob Reiner, “The Bear”
OUTSTANDING GUEST ACTOR IN A DRAMA SERIES
- Ernest Harden Jr., “The Pitt”
- Colman Domingo, “Euphoria”
- Jeff Kober, “The Pitt”
- Jeff Hiller, “Pluribus”
- Bradley Whitford, “The Diplomat”
- Jonathan Pryce, “Slow Horses”
OUTSTANDING GUEST ACTRESS IN A COMEDY SERIES
- Jamie Lee Curtis, “The Bear”
- Leslie Bibb, “Hacks”
- Lauren Weedman, “Hacks”
- Cherry Jones, “Hacks”
- Betty Gilpin, “Widow’s Bay”
- Kaitlin Olson, “Hacks”
- Laurie Metcalf, “Hacks”
OUTSTANDING GUEST ACTRESS IN A DRAMA SERIES
- Tal Anderson, “The Pitt”
- Brittany Allen, “The Pitt”
- Miriam Shor, “Pluribus”
- Tina Ivlev, “The Pitt”
- Shailene Woodley, “Paradise”
- Merritt Wever, “The Gilded Age”
OUTSTANDING CHARACTER VOICE-OVER PERFORMANCE
- Julie Andrews, “Bridgerton”
- Pamela Adlon, “King of the Hill”
- Trey Parker, “South Park”
- Hank Azaria, “The Simpsons”
- Steven Yeun, “Invincible”
- Matt Vogel, “The Muppet Show”
OUTSTANDING INDIVIDUAL ACHIEVEMENT IN ANIMATION
- Juried — recipients already announced:
- “Eyes of Wakanda” (“Into the Lion’s Den”)
- “Genndy Tartakovsky’s Primal” (“Kingdom of Sorrow”)
- “Genndy Tartakovsky’s Primal” (“Vengeance of Death”)
- “The Mighty Nein” (“Mote of Possibility”)
- “Star Wars: Visions” (“The Duel: Payback”)
OUTSTANDING ANIMATED PROGRAM
- “Bob’s Burgers”
- “Rick and Morty”
- “The Simpsons”
- “Smiling Friends”
- “South Park”
- “Star Wars: Visions”
OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE)
- “Euphoria”
- “The Pitt”
- “Pluribus”
- “Slow Horses”
- “Wednesday”
OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PERIOD OR FANTASY PROGRAM (ONE HOUR OR MORE)
- “Fallout”
- “The Gilded Age”
- “Palm Royale”
- “Spider-Noir”
- “Stranger Things”
OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)
- “Hacks”
- “A Knight of the Seven Kingdoms”
- “Leanne”
- “Only Murders in the Building”
- “Widow’s Bay”
OUTSTANDING CASTING FOR A COMEDY SERIES
- “Abbott Elementary”
- “Hacks”
- “Only Murders in the Building”
- “Shrinking”
- “Widow’s Bay”
OUTSTANDING CASTING FOR A DRAMA SERIES
- “The Diplomat”
- “Paradise”
- “The Pitt”
- “Pluribus”
- “Slow Horses”
OUTSTANDING CASTING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
- “All Her Fault”
- “The Beast in Me”
- “BEEF”
- “DTF St. Louis”
- “Love Story: John F. Kennedy Jr. & Carolyn Bessette”
OUTSTANDING CHOREOGRAPHY FOR SCRIPTED PROGRAMMING
- “Bridgerton”
- “Noah’s Arc: The Movie”
- “Palm Royale”
- “Stumble”
- “Wednesday”
- “Will Trent”
OUTSTANDING CINEMATOGRAPHY FOR A SERIES (HALF-HOUR)
- “The Bear”
- “Hacks”
- “A Knight of the Seven Kingdoms”
- “The Upshaws”
- “Widow’s Bay”
OUTSTANDING CINEMATOGRAPHY FOR A SERIES (ONE HOUR)
- “Alien: Earth”
- “Euphoria”
- “Margo’s Got Money Troubles”
- “Pluribus”
- “Spider-Noir”
- “Task”
OUTSTANDING CINEMATOGRAPHY FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
- “BEEF”
- “Black Rabbit”
- “Death by Lightning”
- “DTF St. Louis”
- “Monster: The Ed Gein Story”
OUTSTANDING PERIOD COSTUMES
- “Bridgerton”
- “The Gilded Age”
- “Love Story: John F. Kennedy Jr. & Carolyn Bessette”
- “Monster: The Ed Gein Story”
- “Palm Royale”
OUTSTANDING FANTASY/SCI-FI COSTUMES
- “Alien: Earth”
- “The Boys”
- “Fallout”
- “A Knight of the Seven Kingdoms”
OUTSTANDING CONTEMPORARY COSTUMES FOR A SERIES
- “Emily in Paris”
- “Hacks”
- “Margo’s Got Money Troubles”
- “Only Murders in the Building”
- “Wednesday”
OUTSTANDING CONTEMPORARY COSTUMES FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
- “The Beast in Me”
- “BEEF”
- “Black Rabbit”
- “DTF St. Louis”
- “Remarkably Bright Creatures”
OUTSTANDING DIRECTING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
- “BEEF” (“It Will Stay This Way and You Will Obey”)
- Jake Schreier, Directed by
- “BEEF” (“Oh, the Comfort, the Inexpressible Comfort”)
- Lee Sung Jin, Directed by
- “Black Rabbit” (“The Black Rabbits”)
- Jason Bateman, Directed by
- “DTF St. Louis”
- Steven Conrad, Directed by
OUTSTANDING PICTURE EDITING FOR A DRAMA SERIES
- “Euphoria” (“In God We Trust”)
- “The Pitt” (“1:00 P.M.”)
- “The Pitt” (“9:00 P.M.”)
- “Pluribus” (“Got Milk”)
- “Pluribus” (“Grenade”)
- “Pluribus” (“We Is Us”)
- “Task” (“A Still Small Voice”)
OUTSTANDING PICTURE EDITING FOR A SINGLE-CAMERA COMEDY SERIES
- “The Bear” (“Bears”)
- “Hacks” (“The Cube”)
- “Hacks” (“Hacks (Finale)”)
- “Widow’s Bay” (“Our History”)
- “Widow’s Bay” (“Welcome to Widow’s Bay!”)
- “Widow’s Bay” (“What to Expect on Your Trip”)
OUTSTANDING PICTURE EDITING FOR A MULTI-CAMERA COMEDY SERIES
- “Leanne”
- “The Neighborhood”
- “Shifting Gears”
- “Tyler Perry’s Assisted Living”
- “The Upshaws”
OUTSTANDING PICTURE EDITING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
- “BEEF” (“All the Things We’re Never Going to Have”)
- “BEEF” (“The Increasing Flimsiness of Any Certainties About the Future”)
- “Black Rabbit” (“Isle of Joy”)
- “Death by Lightning” (“The Man From Ohio”)
- “DTF St. Louis” (“No One’s Normal. It Just Looks That Way From Across the Street”)
OUTSTANDING CONTEMPORARY HAIRSTYLING
- “All’s Fair”
- “Emily in Paris”
- “Euphoria”
- “Hacks”
- “Margo’s Got Money Troubles”
- “Wednesday”
OUTSTANDING PERIOD OR FANTASY/SCI-FI HAIRSTYLING
- “Bridgerton”
- “Fallout”
- “The Gilded Age”
- “A Knight of the Seven Kingdoms”
- “Palm Royale”
OUTSTANDING TITLE DESIGN
- “It: Welcome to Derry”
- “Murderbot”
- “Ponies”
- “Smoke”
- “Spider-Noir”
- “Young Sherlock”
OUTSTANDING CONTEMPORARY MAKEUP (NON-PROSTHETIC)
- “All’s Fair”
- “Emily in Paris”
- “Euphoria”
- “Hacks”
- “Margo’s Got Money Troubles”
- “The Pitt”
- “Wednesday”
OUTSTANDING PERIOD OR FANTASY/SCI-FI MAKEUP (NON-PROSTHETIC)
- “Fallout”
- “The Gilded Age”
- “Love Story: John F. Kennedy Jr. & Carolyn Bessette”
- “Monster: The Ed Gein Story”
- “Palm Royale”
OUTSTANDING PROSTHETIC MAKEUP
- “Fallout”
- “Monster: The Ed Gein Story”
- “The Pitt”
- “Spider-Noir”
- “Stranger Things”
OUTSTANDING MUSIC COMPOSITION FOR A SERIES (ORIGINAL DRAMATIC SCORE)
- “A Knight of the Seven Kingdoms”
- “Palm Royale”
- “Pluribus”
- “Slow Horses”
- “Spider-Noir”
- “Widow’s Bay”
OUTSTANDING MUSIC COMPOSITION FOR A LIMITED OR ANTHOLOGY SERIES, MOVIE OR SPECIAL (ORIGINAL DRAMATIC SCORE)
- “All Her Fault”
- “The Beast in Me”
- “Black Rabbit”
- “In the Blink of an Eye”
- “Washington Black”
OUTSTANDING ORIGINAL MUSIC AND LYRICS
- “The Boys”
- “Hacks”
- “The Pitt”
- “South Park”
- “Spider-Noir”
- “Wednesday”
OUTSTANDING ORIGINAL MAIN TITLE THEME MUSIC
- “All Her Fault”
- “The Beast in Me”
- “The ‘Burbs”
- “Murderbot”
- “Pluribus”
OUTSTANDING MUSIC SUPERVISION
- “Hacks”
- “The Boys”
- “Nobody Wants This”
- “Pluribus”
- “Stranger Things”
- “Widow’s Bay”
OUTSTANDING MOVIE
- “Heads of State”
- “Miss You, Love You”
- “People We Meet on Vacation”
- “Remarkably Bright Creatures”
- “Tom Clancy’s Jack Ryan: Ghost War”
OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
- “Alien: Earth”
- “The Boys”
- “Fallout”
- “Spider-Noir”
- “Stranger Things”
OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
- “A Knight of the Seven Kingdoms”
- “Murderbot”
- “Predator: Killer of Killers”
- “Star Wars: Maul – Shadow Lord”
- “Widow’s Bay”
OUTSTANDING SOUND EDITING FOR A LIMITED OR ANTHOLOGY SERIES, MOVIE OR SPECIAL
- “The Beast in Me”
- “BEEF”
- “Lord of the Flies”
- “The Rip”
- “Tom Clancy’s Jack Ryan: Ghost War”
OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
- “Fallout”
- “The Pitt”
- “Pluribus”
- “Spider-Noir”
- “Stranger Things”
OUTSTANDING SOUND MIXING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
- “BEEF”
- “Black Rabbit”
- “DTF St. Louis”
- “Lord of the Flies”
- “Monster: The Ed Gein Story”
OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
- “The Bear”
- “Hacks”
- “Shrinking”
- “Tires”
- “Widow’s Bay”
OUTSTANDING SPECIAL VISUAL EFFECTS IN A SEASON OR A MOVIE
- “Alien: Earth”
- “Foundation”
- “It: Welcome to Derry”
- “Monarch: Legacy of Monsters”
- “Prehistoric Planet: Ice Age”
- “Stranger Things”
OUTSTANDING SPECIAL VISUAL EFFECTS IN A SINGLE EPISODE
- “Gen V”
- “A Knight of the Seven Kingdoms”
- “Paradise”
- “Spider-Noir”
- “The Walking Dead: Daryl Dixon”
OUTSTANDING STUNT COORDINATION FOR COMEDY PROGRAMMING
- “BEEF”
- “Palm Royale”
- “Peacemaker”
- “Poker Face”
- “Spider-Noir”
- “Tulsa King”
OUTSTANDING STUNT COORDINATION FOR DRAMA PROGRAMMING
- “The Boys”
- “Fallout”
- “FBI”
- “The Rookie”
- “Stranger Things”
OUTSTANDING STUNT PERFORMANCE
- “Fallout”
- “FBI”
- “A Knight of the Seven Kingdoms”
- “Palm Royale”
- “Spider-Noir”
OUTSTANDING WRITING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
- “All Her Fault”
- Megan Gallagher, Written by
- “The Beast in Me”
- Gabe Rotter, Teleplay by & Story by
- Daniel Pearle, Teleplay by
- “BEEF”
- “Death by Lightning”
- Mike Makowsky, Written by
- “DTF St. Louis”
- Steven Conrad, Written by
