Passenger, the latest fright flick from Norwegian horror maestro André Øvredal, hits theaters this upcoming long weekend. And while he has a full slate of upcoming projects, there’s one horror movie he doesn’t think he’ll ever get to make — even though the script was brilliant. He recently discussed the never-realized project with Collider’s Perri Nemiroff.
Øvredal is next slated to direct Bendy and the Ink Machine, an adaptation of the popular survival horror game of the same name. It’s “a very cool video game that I’m very excited about,” he told Collider. However, when it comes to dream projects, there’s one that Øvredal still thinks about. It’s a script he wrote based on an iconic horror classic: “Years ago, I wrote a script called The Overlook Hotel, and that was brilliant.” He clarifies that it was a prequel to one of Stephen King‘s most famous creations, but he doesn’t think it’ll ever make it to the screen:
“It’s a prequel to The Shining. That would be amazing. But that’s not really a movie that’s probably ever going to go.”
King’s 1978 novel The Shining centered around struggling novelist Jack Torrance and his struggle against madness and evil as he works as the isolated Overlook Hotel’s winter caretaker; the hotel’s horrific past is expanded in flashbacks as its ghosts drive Torrance to turn against everything he once held dear. Director Stanley Kubrick adapted the novel into a 1980 film with Jack Nicholson and Shelley Duvall; although the movie is now considered a horror classic, King himself disliked the deviations it made from the novel. King later spearheaded a 1997 miniseries adaptation that hewed more closely to the book, and wrote a sequel, Doctor Sleep, that was later adapted for film by Mike Flanagan.
Collider Exclusive · Horror Survival Quiz Which Horror Villain Do You Have the Best Chance of Surviving? Jason Voorhees · Michael Myers · Freddy Krueger · Pennywise · Chucky
Five killers. Five completely different ways to die — if you’re not smart enough, fast enough, or self-aware enough to avoid it. Only one of them is the villain your particular set of instincts gives you a fighting chance against. Eight questions will figure out which one.
🏕️Jason
🔪Michael
💤Freddy
🎈Pennywise
🪆Chucky
01
Something feels wrong. You can’t explain it — you just know. What do you do? First instincts are the difference between the survivor and the first act casualty.
02
Where are you most likely to find yourself when things go wrong? Setting is everything in horror. Where you are determines which rules apply.
03
What is your most reliable survival asset? Every survivor has a quality the villain didn’t account for. What’s yours?
04
What kind of fear is hardest for you to fight through? Knowing your weakness is the first step to not dying because of it.
05
You’re with a group when things start going wrong. What’s your role? Horror movies are brutally clear about who survives group situations and who doesn’t.
06
What’s the horror movie mistake you’re most likely to make? Honest self-assessment is a survival skill. Denial is not.
07
What’s your best weapon against something that can’t be stopped by conventional means? Every horror villain has a weakness. The survivors are always the ones who find it.
08
It’s the final scene. You’re the last one standing. How did you make it? The final survivor always has a reason. What’s yours?
Your Survival Odds Have Been Calculated Your Best Chance Is Against…
Your instincts, your strengths, and your particular way of thinking under pressure point to one villain you actually have a fighting chance against. Everyone else — good luck.
Camp Crystal Lake · Friday the 13th
Jason Voorhees
Jason is relentless, but he is also predictable — and that is the gap you would exploit.
He moves in straight lines toward his target. He doesn’t strategise, doesn’t adapt, doesn’t outsmart. He simply pursues.
Your ability to keep moving, use the environment, and resist the panic that freezes most victims gives you a genuine edge.
The Crystal Lake survivors were always the ones who stopped running in circles and started thinking about terrain, water, and distance.
You think like that. Which means Jason, for all his indestructibility, would face someone who simply refused to be where he expected.
Haddonfield, Illinois · Halloween
Michael Myers
Michael watches before he moves. He is patient, methodical, and almost impossible to detect — until it’s too late for anyone who isn’t paying close enough attention.
But you are paying attention. You notice the shape in the window, the car parked slightly wrong, the silence where there should be sound.
Michael’s power lies in the invisibility of ordinary suburbia — the fact that nothing ever looks wrong until it already is.
Your spatial awareness and instinct to map every room, every exit, and every shadow before you need them is precisely the quality Laurie Strode had.
You are not a victim waiting to happen. You are someone who already suspects something is wrong — and acts on it.
Elm Street · A Nightmare on Elm Street
Freddy Krueger
Freddy wins by getting inside your head — using your own fears, your own memories, your own subconscious as weapons against you. That strategy requires a target who can be destabilised.
You are harder to destabilise than most. You’ve faced uncomfortable truths about yourself and you haven’t looked away.
The survivors on Elm Street were always the ones who understood what was happening and chose to face it rather than flee from it.
Freddy’s greatest weakness is that his power evaporates in the presence of someone who refuses to give him the fear he feeds on.
Your psychological resilience — the ability to stay grounded when reality itself becomes unreliable — is exactly the quality that keeps you alive here.
Derry, Maine · It
Pennywise
Pennywise is ancient, shapeshifting, and feeds on terror — but it has one critical vulnerability: it cannot function against someone who genuinely stops being afraid of it.
The Losers Club didn’t survive because they were braver than everyone else. They survived because they faced their fears together, and faced them honestly.
You ask the questions others avoid. You look directly at what frightens you rather than turning away.
That directness — the refusal to let fear fester in the dark — is Pennywise’s worst nightmare.
It chose the wrong target when it chose you. You are exactly the kind of person whose fear tastes like nothing at all.
Chicago · Child’s Play
Chucky
Chucky’s greatest advantage is that nobody takes him seriously until it’s already too late. He exploits the gap between how something looks and what it actually is.
You don’t have that gap. You take threats seriously regardless of how they present — and you never make the mistake of underestimating something because of its size or appearance.
Chucky relies on surprise, on the delay between recognition and response. You close that delay faster than almost anyone.
Your instinct to treat every unfamiliar thing with appropriate scepticism — rather than dismissing it because it seems absurd — is the exact quality that keeps you breathing.
Against Chucky, not laughing is already winning. You are very good at not laughing.
What Is ‘Passenger’ About?
Passenger stars Jacob Scipio (Pieces of Her) and Lou Llobell (Foundation) as Tyler and Maddie, a young couple who are hitting the road for a van life adventure. A few weeks into their trip, however, they witness a horrific car accident that leaves a driver dead. And while that sight haunts them, so does the Passenger, a gruesome specter that follows them relentlessly. The film also stars Oscar-winner Melissa Leo (The Fighter) and was penned by Zachary Donohue (The Unknowable) and T.W. Burgess. It will be released on May 22.
Øvredal broke out with the Norwegian horror mockumentary Trollhunter in 2010. He has subsequently helmed the horror films The Autopsy of Jane Doe, Scary Stories to Tell in the Dark, and The Last Voyage of the Demeter.
Passenger will be released in theaters on May 22. Stay tuned to Collider for future updates.
