Jimmy Stewart was one of the biggest movie stars of the 20th century; almost 30 years after his death, he remains an icon of the silver screen. Now, the story of his life and journey are coming to the big screen this fall in the new biopic Jimmy. Collider is proud to exclusively reveal that tickets to Jimmy are on sale now.
One of the greatest on-screen Everymen of the Golden Age of Hollywood, Stewart’s distinctive mannerisms made him a favorite of impressionists and endeared him to the film-going public. His filmography is replete with timeless classics, including Mr. Smith Goes to Washington, The Philadelphia Story, The Man Who Shot Liberty Valance, Vertigo, and Anatomy of a Murder. Stewart also served with distinction in World War II, putting his movie career on hold to fly missions over the the European theater of war.
And now, he’ll be the subject of his first-ever biopic. KJ Apa (Riverdale) stars as Stewart in the film, which will chronicle his pre-war success, his Air Force career, and his return to film-making with his best-remembered movie, the holiday classic It’s a Wonderful Life. Collider also has an exclusive look at more photos from the upcoming film, which can be seen below. To see the whole thing, you’ll have to wait until November 6, but tickets are on sale now; check your local theater for showtimes and tickets.
Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
🐦Birdman
🪙No Country for Old Men
01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
Who Are the Creatives Behind ‘Jimmy’?
In addition to Stewart, several other Hollywood notables are depicted in the film, including It’s a Wonderful Life director Frank Capra (Max Casella, The Sopranos), studio boss Louis B. Mayer (Jason Alexander, Seinfeld), It’s a Wonderful Life‘s Mr. Potter, Lionel Barrymore (Christopher McDonald, Happy Gilmore), and gossip columnist Hedda Hopper (Sarah Drew, Grey’s Anatomy). It will also co-star Jen Lilley (The Artist) as Stewart’s wife, Neal McDonough (Band of Brothers) as his father, and Rob Riggle (The Daily Show) as Stewart’s wartime commander, Colonel Terrill. The film is directed by Aaron Burns (Birthright Outlaw), from a screenplay by Justin Strawhand (War Against the Weak). Stewart’s daughter, Kelly Stewart Harcourt, is one of the film’s producers.
Jimmy will be released in theaters on November 6; tickets are on sale now. Stay tuned to Collider for future updates.
