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Home»Movies»The Most Successful Horror Movie of the Century Is Officially Being Taken to Court
Movies

The Most Successful Horror Movie of the Century Is Officially Being Taken to Court

Williams MBy Williams MSeptember 1, 2026No Comments11 Mins Read
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Without doubt, Focus Features’ Obsession is the most successful horror movie at the box office of this century. In fact, YouTuber Curry Barker‘s breakout is one of the most successful movies of all time, turning a sub-$1 million budget into over $500 million worldwide. The film broke several incredible records along the way, including becoming the highest-grossing non-animated original film of the past decade, the highest-grossing original horror movie of this century, and the fifth highest-grossing horror film of all time.

But this all-conquering horror sensation isn’t without its issues, the latest of which sees Tea Shop Productions, who made the film alongside Blumhouse Productions and Capstone Studios, taken to court. Specifically, executive producer Leonora Ann Darby is accusing James Harris and Mark Lane of cheating her out of a fair cut from the film’s enormous success. The official filing is a breach of contract complaint submitted to authorities on August 28 in Los Angeles Superior Court.

“This action arises from a seven-year pattern of unequal treatment and broken compensation promises by two older male film producers to a younger female producer whose labor was material to the growth of their company and who rescued their biggest film, the global hit Obsession,” the breach of contract complaint reads. In the 135-page filing, Darby claims that she was onboarded to the company back in 2019 with the promise of being an “equal producer, including with respect to compensation, company direction, project decisions, financial transparency, and access to business opportunities.”



















Collider Exclusive · Horror Survival Quiz
Which Horror Villain Do You Have the Best Chance of Surviving?
Jason Voorhees · Michael Myers · Freddy Krueger · Pennywise · Chucky

Five killers. Five completely different ways to die — if you’re not smart enough, fast enough, or self-aware enough to avoid it. Only one of them is the villain your particular set of instincts gives you a fighting chance against. Eight questions will figure out which one.

🏕️Jason

🔪Michael

💤Freddy

🎈Pennywise

🪆Chucky

01

Something feels wrong. You can’t explain it — you just know. What do you do?
First instincts are the difference between the survivor and the first act casualty.





02

Where are you most likely to find yourself when things go wrong?
Setting is everything in horror. Where you are determines which rules apply.





03

What is your most reliable survival asset?
Every survivor has a quality the villain didn’t account for. What’s yours?





04

What kind of fear is hardest for you to fight through?
Knowing your weakness is the first step to not dying because of it.





05

You’re with a group when things start going wrong. What’s your role?
Horror movies are brutally clear about who survives group situations and who doesn’t.





06

What’s the horror movie mistake you’re most likely to make?
Honest self-assessment is a survival skill. Denial is not.





07

What’s your best weapon against something that can’t be stopped by conventional means?
Every horror villain has a weakness. The survivors are always the ones who find it.





08

It’s the final scene. You’re the last one standing. How did you make it?
The final survivor always has a reason. What’s yours?





Your Survival Odds Have Been Calculated
Your Best Chance Is Against…

Your instincts, your strengths, and your particular way of thinking under pressure point to one villain you actually have a fighting chance against. Everyone else — good luck.


Camp Crystal Lake · Friday the 13th

Jason Voorhees

Jason is relentless, but he is also predictable — and that is the gap you would exploit.

  • He moves in straight lines toward his target. He doesn’t strategise, doesn’t adapt, doesn’t outsmart. He simply pursues.
  • Your ability to keep moving, use the environment, and resist the panic that freezes most victims gives you a genuine edge.
  • The Crystal Lake survivors were always the ones who stopped running in circles and started thinking about terrain, water, and distance.
  • You think like that. Which means Jason, for all his indestructibility, would face someone who simply refused to be where he expected.


Haddonfield, Illinois · Halloween

Michael Myers

Michael watches before he moves. He is patient, methodical, and almost impossible to detect — until it’s too late for anyone who isn’t paying close enough attention.

  • But you are paying attention. You notice the shape in the window, the car parked slightly wrong, the silence where there should be sound.
  • Michael’s power lies in the invisibility of ordinary suburbia — the fact that nothing ever looks wrong until it already is.
  • Your spatial awareness and instinct to map every room, every exit, and every shadow before you need them is precisely the quality Laurie Strode had.
  • You are not a victim waiting to happen. You are someone who already suspects something is wrong — and acts on it.


Elm Street · A Nightmare on Elm Street

Freddy Krueger

Freddy wins by getting inside your head — using your own fears, your own memories, your own subconscious as weapons against you. That strategy requires a target who can be destabilised.

  • You are harder to destabilise than most. You’ve faced uncomfortable truths about yourself and you haven’t looked away.
  • The survivors on Elm Street were always the ones who understood what was happening and chose to face it rather than flee from it.
  • Freddy’s greatest weakness is that his power evaporates in the presence of someone who refuses to give him the fear he feeds on.
  • Your psychological resilience — the ability to stay grounded when reality itself becomes unreliable — is exactly the quality that keeps you alive here.


Derry, Maine · It

Pennywise

Pennywise is ancient, shapeshifting, and feeds on terror — but it has one critical vulnerability: it cannot function against someone who genuinely stops being afraid of it.

  • The Losers Club didn’t survive because they were braver than everyone else. They survived because they faced their fears together, and faced them honestly.
  • You ask the questions others avoid. You look directly at what frightens you rather than turning away.
  • That directness — the refusal to let fear fester in the dark — is Pennywise’s worst nightmare.
  • It chose the wrong target when it chose you. You are exactly the kind of person whose fear tastes like nothing at all.


Chicago · Child’s Play

Chucky

Chucky’s greatest advantage is that nobody takes him seriously until it’s already too late. He exploits the gap between how something looks and what it actually is.

  • You don’t have that gap. You take threats seriously regardless of how they present — and you never make the mistake of underestimating something because of its size or appearance.
  • Chucky relies on surprise, on the delay between recognition and response. You close that delay faster than almost anyone.
  • Your instinct to treat every unfamiliar thing with appropriate scepticism — rather than dismissing it because it seems absurd — is the exact quality that keeps you breathing.
  • Against Chucky, not laughing is already winning. You are very good at not laughing.

What Else Do the Allegations State?

Specifically, it’s claimed that Darby was promised: “one-third (33.33%) of the net profits due to Tea Shop on films she lead-produced, together with direct participation in the applicable collection account management agreements.” Darby allegedly kept to her end of the bargain between 2019 and 2026, including the originating and developing of projects, onboarding filmmakers, and much more. This includes swooping in to help bring Obsession back on track, which she then claims to have been scammed out of her fair cut of its $510 million global haul. The filing continues:

“These Defendants failed to honor their promises and instead treated Darby as their subordinate, including in a highly demeaning and gendered manner, and continually refused to properly compensate her, culminating in ruthlessly cutting Darby out of the overall net profits for the motion picture Obsession (other than a single initial payment), Tea Shop’s biggest hit and one of the most successful independent films of all time.”

Darby admits to receiving an extra $300,000 payment for Obsession after the film was made, but this would still supposedly be nowhere near her fair cut of its financial triumph.

For the latest stories, make sure to stay tuned to Collider.

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