With growing anticipation for Brad Pitt’s two projects, Heart of the Beast and The Adventures of Cliff Booth, scheduled to arrive this fall, fans are revisiting some of his earlier works, especially his war films. One of these is gaining traction on the streaming charts once again, seventeen years after it hit theaters, proving itself to be the perfect late-night binge. Written and directed by Quentin Tarantino, the film sees Pitt portray a battle-hardened commanding officer who leads a group of mostly Jewish American soldiers to assassinate Nazi Germany’s leadership in France during the Second World War.
Released stateside on August 21, 2009, Inglourious Basterds is a highly successful co-production between the United States and Germany which also became Tarantino’s highest-grossing film at the time. In addition to Pitt, who portrays Lieutenant Aldo Raine, the war gem’s ensemble cast includes Christoph Waltz as the extremely ruthless Austrian SS officer Standartenführer Hans Landa; Michael Fassbender as the British film critic turned commando Lieutenant Archie Hicox; Eli Rothas the brooding Sergeant Donny Donowitz; Diane Krugeras German film star turned spy, Bridget von Hammersmark; and Mélanie Laurent as the vengeful French Jewish cinema owner Shosanna Dreyfus.
As one of Tarantino’s most satisfying works, Inglourious Basterds is experiencing a revival on the streamerPeacock in the United States, where it ranked among the top 10 trendingtitles on June 1, 2026. The rest of the week has also seen the WWII action hit surge on VOD charts internationally, particularly on the Apple TV store in Ireland, the United Kingdom, Slovakia, Ukraine, Lithuania, and El Salvador. This represents continued progress for the 2009 movie, following its critical and commercial success upon its theatrical release.
Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
🐦Birdman
🪙No Country for Old Men
01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
‘Inglourious Basterds’ Is a WWII Film Worth Watching
Boasting a Certified Fresh 89% critics score on Rotten Tomatoes, Inglourious Basterds, described as “violent, unrestrained, and thoroughly entertaining,” was applauded by 294 critics out of 331. Waltz’s extraordinary performance as Hans Landa also received significant praise among other accolades. Additionally, as a commercial hit, the WWII film grossed $321.5 million worldwide against a $70 million production budget. Inglourious Basterds was also a favorite during the awards season at the time, bagging multiple nods and wins. Among them were eight Academy Award nominations, including Best Picture, Best Director, Best Original Screenplay, and Best Supporting Actor, which Waltz won.
